巴山红浪

　　大悟与麗奈的兒子翼在一次飛機測試的途中回到了古代并被一幫村民救起企圖支配黑暗的杜古馬大達拿和我龍操縱怪獸佐蒙多展開襲擊村落的計劃翼和村民準備對抗怪獸的入侵……
　　一面倒防守的村民的身邊出現了一位旅途中的勇士馬巴他手持的青銅製Sparklance令翼覺得很面善認為這就是令其父親大悟變身成巨人Sparklance當他拿起這東西集中精神後竟變身成為超人迪加但身材不高又沒有能量所以不能打敗怪獸而且能量不足很快就變回人
　　黑暗魔神杜古呼終於醒來了與怪獸一起襲擊村落……翼難道不是光之巨人的傳人那真正的傳人究竟會是誰光之巨人最終能否復活……

　　奴里普拉姆·达伦 Poonam Dhillon 饰是一位非常漂亮的印度姑娘再过不久她就要和深爱的未婚夫约瑟夫一起携手步入婚姻的殿堂了奴里整个人都沉浸在深深的幸福之中然而不幸降临在了她的身上土财主觊觎奴里的美貌想要霸占他财主设计将约瑟夫调往外地收账趁着约瑟夫不在的档口财主强暴了奴里
　　不堪受辱的奴里选择了自杀离开了这个令她绝望的世界当约瑟夫从外地赶回来时等待着他的只剩下奴里冰冷的尸体了约瑟夫坚信奴里的死并非意外于是决定依靠自己的力量找到事件背后的真相最终财主的阴谋还是败露了

　　Fraught with over obvious symbolism, Hartley#39;s early feature is nonetheless a joy to watch Hal here shows us his uncanny ability to cast his characters perfectly came early in his career
　　Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality though using sex for several years; obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich eg, her modeling career beginning with photos of her foot – culminating her doing nude but unseen work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc
　　As Josh, Robert Burke gives an absolutely masterful performance A reformed prisoner/penitent he returns to his home town to face down past demons, accept his lot and begin a new life Dressed in black, and repeatedly mistaken for a priest, he corrects everyone quot;I#39;m a mechanicquot;, yet the symbolism is rich he abstains from alcohol, he practices celibacy is, in fact a virgin, and seemingly has taken on vows of poverty, and humility as well The humility seems hardest to swallow seeming, at times, almost false, a pretense Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is A fascinatingly written character, perfectly played
　　The scene between Josh and Jane a wonderful, young Edie Falco quot;You need a woman not a girlquot; is hilarious real But Hartley can#39;t leave it as such and his trick, having the actors repeat the dialogue overandover becomes frustratingly quot;artyquot; and annoying until again it becomes hilarious What a terrific sense of bizarre reality this lends the film like kids in a perpetual quot;am notquot;/quot;are tooquot; argument
　　Hartley#39;s weaves all of a small neighborhood#39;s idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the quot;unbelievable truthquot; of the title is, yet no two people can agree including our hero on what exactly that truth is A wonderful little movie with some big ideas